An introduction to the analysis of the film high noon

In that way the boy will be the child savior of the town. Kane's wife urges the horses onward and does not even glance at her husband, who is walking in the opposite direction in preparation for the showdown with the outlaws. Kane lowers his gun and steps out.

The Judge could have organized townspeople to help Kane. His relationship and interaction with the community serves as a marker to determine how successful he will be. The innocents and Kane himself are in danger. The camera looks down the tracks which reach a vanishing point far into the distance.

His outsider status is confirmed when none of the townspeople will help him. Kane lacks the popularity of being the peoples hero, where as Shane has to live in the shadows, doing the more distasteful jobs because even though he may do the same job as Kane, he does not have a tin star that represents social authority.

However, as marshal, Kane is the authority.

High Noon 1952 Film Analysis

Often, it is the characteristic used by the protagonist to triumph over adversity that leads the viewer to a life lesson. This idea has its limits.

An introduction to the analysis of the film high noon

Ramirez claims that she owes nothing to the Hadleyville community because it never did anything for her. The male camaraderie which usually supports the Western hero is completely missing from this story.

Starret needs the stability of domestic life, not the company of a man who could soon be killed in a gunfight. Amy Kane's adherence to nonviolence contrasts Kane's willingness to fight. Fearful but duty-bound, he eventually vanquishes the enemy, thereby sparing the civilized democratic town the encroachment of barbaristic frontier justice brought by the deadly four-man group of outlaws symbolic of the aggressive threat in the Korean War, or the HUAC itself.

The Revenge story has its clear paths set on the need to stand up for injustice and moral codes of convictions for westerns, Normalizing around revenge of family, friends of central character. This female character is more than just a pretty face.

The Western hero seldom has to try over and over again, meeting failure after failure. A heated debate erupts among the parishioners, and a lesson in civics follows as a few brave citizens stand up for Kane and the rest find excuses to avoid conflict. In an iconic scene, the camera goes wide to reveal Marshal Kane all alone on the deserted streets.

Shane does not wish to dominate the existence of the other settlers but join them and collectively work together. Moments after the ceremony he learned that the a dangerous criminal has been released and is returning to seek revenge.

She begs him not to be a hero, but he explains that the "wild and kind of crazy" Frank Miller will only hunt for both of them as they settle down and become owners of a small store. As a result, viewers cannot help but be concerned with the passage of time. Use the use of the chair and the clock in-synchronization to the non-Diegetic theme song also wide shots of open western scenery and large wide shots of open rugged terrain conforming to codes and conventions of a western and shots of the trail tracks where the impending Frank Miller Ian MacDonald is due to arrive at high noon, Leave the signs and symbols.

As a result, viewers cannot help but be concerned with the passage of time. Miller is due in on the noon train to keep his promise to gun down the man who sent him to prison.

High Noon 1952 Film Analysis

Will Kane and the Myth of the Western Hero In most Westerns, the hero takes on the bad guys without ever experiencing fear or self-doubt. He insistently explains to her - and the film audience - his moral compulsion to remain.

Kane pats him affectionately. Ramirez refuses to help Kane directly. He doesn't save Kane, but he is the only hope for the town. Click here for additional Helpful Background. The action sequence after noon between Kane and the Miller gang, compensates for the loss of the suspense that is so critical before noon.

High Noon is a warning about the dangers of being soft on crime, domestic or international. One of the film posters described the theme of the deserted, lone marshal who stubbornly insisted on delaying his newly-married life with a pacifist Quaker wife symbolic of US isolationists in order to stay and confront his former nemesis and paroled murderer - Frank Miller:The three outlaws ride through town and settle in outside the train depot to await the noon arrival of gang leader Frank Miller.

Marshal Kane and his radiant bride are congratulated by the town mayor (Thomas Mitchell) and the retired Marshal (Lon Chaney, Jr.), and Kane. Unlike most editing & proofreading services, we edit for everything: grammar, spelling, punctuation, idea flow, sentence structure, & more.

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EMPIRE ESSAY: High Noon Review

The classic film, which is being reissued on DVD this week, seems like a conservative work today. It\'s not an anti-McCarthyism allegory, but a warning about the dangers of being soft on crime.

High Noon is one of the western films that can move you by its existentialist themes, where an individual's values are above the societal norms and where the authenticity of being is existence.

This is the story of a man who creates his own choices and stands up for the right reason when he. Film Analysis – High Noon In his biography, It’s a Mad, Mad, Mad, Mad World: A Life in Hollywood, Stanley Kramer had this to say about his film High Noon: “It’s a.

Analysis of western films "Shane" and "High Noon" The majority of the High Noon film, taking place prior to noon, is a build up to the arrival of Miller. As the minutes tick by, suspense and anticipation builds. The action sequence after noon between Kane and the Miller gang, compensates for the loss of the suspense that is so critical.

An introduction to the analysis of the film high noon
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